Lorenzaccio

88 Avenue Charles de Gaulle

By gathering these two versions, Bobée reveals what Sand had sensed: the power of a drama where a people suffocates, where leaders are paralyzed by their inability to act for the common good, and where a single individual bears the impossible weight of the moral choice. On stage, broken columns evoke the ruins of a regime too fragile to bear the ideals it claims to defend. In the vein of Peer Gynt and Dom Juan, seen at Equinoxe, this creation pursues the ambition of a grand popular spectacle – accessible and demanding – making ...